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Richard Bergson's avatar

A steep learning curve indeed! But I am indebted to Iain McGilchrist's The Matter With Things for introducing me to many of the framings that underpin Vanessa's and Sharon's work. It is so hard - and I was very aware of your own struggles here, Jonathan - to let go of the need to pin things down, to define them and put them in a box. What is this thing? How can I understand it and fit it in to the jigsaw of my world view? In the West, we have lived all our lives with this approach of valuing things over relations. What is important is only what we can see and hold.

Countless domestic dramas play out this clash between the intellect and the spirit as the man resists the dismantling of his concept of a relationship in the face of the violence that concept visits on and is felt by his partner. I don't wish to turn this into a gender issue but - without guilt or blame - we do need recognise that those who have had the power in our so-called advanced society have delegated nurture to women who have thereby retained some connection to relational and are less phased by these metaphysical framings, particularly if expressed in language they understand.

Those of us who have lived by our intellect will find it much harder to slough off the need for certainty and even though we may find a way to accept the framing, we will doubtless retain the wish to be told how to be in this new paradigm instead of being prepared to jump in, fail, fail again and be prepared to laugh at ourselves as we do so. It is perhaps in the laughter that we finally find our feet in this deeper and freer approach to life.

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Eric Schaetzle's avatar

Vanessa is an oracle. She seems to be using AI in the sort of way that others have used ayahuasca, or perhaps tarot. She describes a posthuman process-relational world, where humans are ‘more than human’ and our technologies are not really ours alone, if they ever were. This kind of perspective has been described as a rhizomatic or “flat ontology.” And so I think it can be illuminating to contrast it with the view of someone like Zak Stein, who, while he recognizes the same (or similar) process-relational dynamics, in addition to the rhizomes he includes an arboreal or “vertical ontology” where distinctions, as between human and nonhuman, natural and artificial, and simply “good and evil,” provide greater vertical relief, which doesn’t seem to get as much attention from Vanessa. So in contrasting these views, “What’s at stake here?”

For Vanessa, that seems to be whether we continue to change or not. Enabling or supporting the dynamic change that is responsive to our inter-relational context is the point. For Zak, it’s not only whether or not we change, but whether that change is aligned or misaligned with nature (which implies the possibility of deviation and impoverishment). At their core these may not be so different, but it’s clear that whereas Vanessa emphasizes possibility, Zak tends to focus at least as much on the risk and dangers. Which isn’t to say that Vanessa doesn’t see any risks. She definitely does. But they seem to be different kinds of risks - risks that threaten our posthuman ecological relations. Zak’s risks are more in regard to the creation of a rift in the “intergenerational transmission” of knowledge. But if we are in, or entering, a posthuman reality, and further, if our previous or current reality is the very sort of impoverished world we should avoid, then the risk of a rift in the intergenerational transmission of knowledge could hardly be a significant threat. I suppose the difference between these thinkers seems to lie in what they believe we stand to lose or gain, and why.

See also this article by Lisa Messeri and Molly Crockett, which nuances some of these ideas:

"Artificial intelligence and illusions of understanding in scientific research"

https://www.nature.com/articles/s41586-024-07146-0

https://static1.squarespace.com/static/538ca3ade4b090f9ef331978/t/65f071f8fd3e3b478a4f4b86/1710256633821/Messeri&Crockett_2024_Nature.pdf

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